I am in love, yes yes yes yes, love.
It's perhaps a young love, but that's ooooook.
Naivete is a friend in this day and age of cynicism.
Here's the third Make Believe LP: Going to the Bone Church
People are SLAMMING Jim Cramer, can you blame them? Populist RAGE!!!! Soon the government will have to outlaw ragehol...
MB-GTTBC
2009/03/26
Some things
time is not passing slowly here in Andalucía, even if it is the tendency of the people to move like molasses on the streets. Good news is that Tocaya is back together and better than ever. Bad news is that I have to keep hearing these same shitty Spanish pop songs whenever I access internet, but headphones in a coffee shop is kind of rude, no? I'll try next time when I come in the morning here...
I can't stop listening to Bob Dylan's "Idiot Wind"; some of the lyrics aren't his best, (or are they?) but the chord progression is so awesome to jam along with. Also the organ on the version I have is absolute wrenching; I read once that there are two versions of Blood on The Tracks, one with NY session players and one with a band from Minnesota. What is it about the great lake state that produces so many fine American musicians; Zimmerman himself and Prince to name a few (I'm including Morris Day over The Hold Steady, and probably ignorant of a slathering of other top notch artists, but oh well)
I also have been listening to a lot of Nick Drake. I read his biography over last summer on a chance discovery at Raven Books in Harvard Square area up in Cambridge, Mass. His usage of so-called open tunings, and the really austere, but moving arrangements of his songs are almost as powerful as the bass lines of the random Daddy Yankee song that currently thumps on the television here in Lyceo, the wifi spot.
ND-FLL
I can't stop listening to Bob Dylan's "Idiot Wind"; some of the lyrics aren't his best, (or are they?) but the chord progression is so awesome to jam along with. Also the organ on the version I have is absolute wrenching; I read once that there are two versions of Blood on The Tracks, one with NY session players and one with a band from Minnesota. What is it about the great lake state that produces so many fine American musicians; Zimmerman himself and Prince to name a few (I'm including Morris Day over The Hold Steady, and probably ignorant of a slathering of other top notch artists, but oh well)
I also have been listening to a lot of Nick Drake. I read his biography over last summer on a chance discovery at Raven Books in Harvard Square area up in Cambridge, Mass. His usage of so-called open tunings, and the really austere, but moving arrangements of his songs are almost as powerful as the bass lines of the random Daddy Yankee song that currently thumps on the television here in Lyceo, the wifi spot.
ND-FLL
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