So, it's only right to offer some context first; Mooney often spoke highly of The Band, mistakenly referring to them as a quartet, but an aficionada nonetheless. Enough so to change the name of her blog's final incarnation to "Moondog Matinee"; late in the game, The Hawks released an album with the same name. For those in the know, The Band were a quintet composed of Levon Helm on drums/mandolin/vocals/guitar, Richard Manuel on Piano/Vocals/Drums/chugging Gran Marnier (wikipedia says around 6 bottles a day before cirrhosis won out), Rick Danko on bass/vocals/fiddle, J.R. "Robbie" Robertson on guitar/vocals (it's worth noting that the only song he sang lead on in their entire studio discography is "Till Kingdom Come" (obligatory pontification of the relation to Jay-Z/Coldplay and this song begins and ends NOW!) and Garth Hudson on Organ/Saxophone/Accordion/Piano (he plays that signature line on "The Weight"). Some serious fans consider producer/tuba player John Simon the "6th" member of the group; you can't deny his playing on "Rag Mama Rag" among other standout tracks. I forgot to mention that every single member took a turn on playing various auxiliary horns among other things, leading to a distinct sound (the breakdown in "Chest Fever" springs to mind most immediately).
In honor of the passing of a blog, and the broke as a joke nature of basically everyone I know (save the rich jews, I'm not kidding), I'm doing double time in posting a second album today. Also, I think Mooney eye fucked my older brother at commencement.
It's also worth noting that this album is composed entirely of cover songs; an odd juxtaposition to a group that produced some of the best original music of their time.
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TB-MM
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